Submissions Open for DPF2022

Poets (left to right) Joy Ladin, Paul Tran and Natalie Scenters-Zapico at the 2018 Dodge Poetry Festival. Photo by Alex Towle.

It feels like just yesterday that we wrapped up the 2020 Dodge Poetry Festival (which ran from October 22 – November 1 this past fall), but it’s been a few months now, and it’s time to start thinking about 2022!

We’re excited to announce that we are now accepting submissions for the next Dodge Poetry Festival, which will take place in the fall of 2022.

If you’re interested in submitting to read at the Festival, check out our Submission Guidelines and Submission FAQ pages for detailed instructions and information and to find a link to the submission form. Here are some additional helpful tips:

  1. Audio and/or video clips are really important
    One component of a complete submission is 1-3 audio or video recordings of you reading your poems aloud. Don’t worry–we’re not demanding professional-quality recordings. Since we are curating a live event, it is important for the review panel to have a chance to see and hear you reading your work.

    As you know, experiencing poetry out loud is very different from reading it on the page. A poem can take on a whole new layer of meaning and energy from the poet delivering it. There’s nothing like seeing and hearing how a poet connects and engages with their audience in-person. If you have a video or audio of you reading in front of a live audience, that would be ideal.

    We don’t expect every poet to be a performance poet. Over the years, Festival Poets have had many different reading styles. One thing they have in common is being attentive, engaging and connecting to audience and other poets.
  2. Show us a work sample that best represents you
    We ask for a sample of up to 20 pages of your poetry that best represents you and your work as you would like to share it at the Festival. If you have work published, such as books or a chapbook, why do we ask for this sample?

    You may have published work that you’re proud of and want us to see, but have other poems you’ve learned are more effective with a live audience. The reading sample is an opportunity to not only share some of the work you’re most excited about and proud of, but also the poems you would like to read aloud to an audience that will likely include many who have never heard you read before. (We understand that what you are excited to read may change by 2022, so you’re not beholden to these poems.)

    This sample also provides an opportunity for poets who do not have a published book or chapbook to show their work and put their best foot forward, alongside the audio or video materials.
  3. Take your time with the short responses
    Instead of asking for a formal cover letter and resume, we decided to simplify things a bit and ask you a few specific questions to help us get to know you.

    It’s a good idea to take some time and be thoughtful with your responses to these questions to help paint a picture of who you are, what’s important to you, what you want to bring to the Festival, the types of conversations you would want to have there, and how you would connect with other poets, students, teachers and poetry-lovers.

    Reading poems aloud is just one aspect of the Festival–participating in rich conversations across many different boundaries of identity, and connecting with others through poetry and conversation, are at the heart of the Dodge Poetry Festival. Your responses to these questions help to show how you would want to show up, connect and engage at the Festival, as well as what would make you feel most connected and included there.

These are just a few things to consider when putting together your submission materials. Please review the Submission Guidelines and FAQs before submitting to make sure you have all of the necessary materials–and be sure to submit by the deadline of October 15, 2021.

Thank you so much for your support and interest in the Dodge Poetry Festival! Feel free to share this post with anyone you think might be interested in submitting to read at the next Festival.

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